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Avec les arts plastiques, je n?ai pu que m?engager en terrain ennemi", disait Marcel Broodthaers. Quel est le sens de cet engagement ? Quel est l?enjeu du combat qui le conduit à la douloureuse décision de délaisser le champ de l?écriture poétique ? Son œuvre multiforme déjoue les interprétations. Plusieurs fils s?y tressent, selon une logique originale que déploie cet Éloge. Les références essentielles en sont Mallarmé, qu?il tient pour ' l?inventeur de l?espace moderne ', Magritte, à qui il fait crédit d?un ' resserrement de la notion de sujet ' et Lacan, pour qui ' la vérité a structure de fiction '. Une poétique de l?objet et de l?absence d?objet s?en déduit, ainsi qu?une pratique ironique des équivoques de la communication. S?y dessine la figure d?un artiste génial, qu?on n?a pas fini de découvrir.

Art, Belgian --- Installations (Art) --- Conceptual art --- Broodthaers, Marcel --- Brodhers, Marsel --- ברוסהרס, מרסל --- Criticism and interpretation.

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For "Identity Pitches", artists Cory Arcangel (born 1978) and Stine Janvin (born 1985) have composed conceptual music scores based on the knitting patterns for traditional Norwegian sweaters known as Lusekofte. Utilizing three of the most popular designs (Setesdal, Fana and the eight-petal rose of Selbu) of this ubiquitous garment, Janvin creates scores for both solo and ensemble performers by mapping the knitting patterns onto the harmonic and subharmonic series and integrating the tuning principles of traditional Norwegian instruments. These scores are further manipulated by Arcangel using a custom "deep-fried" coding script to create a series of image glitches. A foreword and an interview between the two artists, both based in Stavanger, Norway, provide context for the work, delving into the history of Norwegian folk music tunings and the Lusekofte sweater and their intersection with the cultural identity of the country over the last millennium

Composition (Music) --- Avant-garde (Music) --- Conceptual art --- Art and music --- Knitting --- Knitting --- Artistic collaboration --- Musique

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Broken Narrative provides an extensive reflection on history, politics, and contemporary art, revolving around the cornerstones of the artistic practice of Albanian artist Armando Lulaj. The core of the book is formed by and extended interview of Lulaj by Italian artist and writer Marco Mazzi. This inquiry starts in the year 1997, a year of social and political upheaval in Albania, of anarchy, controversies and emigration, of toxic seeds of neoliberalism sprouting in an already wounded country, and continues to the present day, where politics, hidden behind art forms, has practically destroyed (again) every different and possible future of the country. This book also sketches out a connection between the recent Albanian political context and contemporary art by considering the realities of Albania as essential for an understanding of the dynamics of international power in contemporary art and architecture, and the role of politics therein.Broken Narrative comes in a bilingual English–Japanese edition, in part as homage to the subtle esthetics of Japanese poetry, which has inspired many of the Lulaj’s works, while equally evoking the subversive films of the Red Army, active in Japan at the turn of the 1960s and ’70s. Broken Narrative contains a double preface in English by Albanian scholar Jonida Gashi and in Japanese by photographer Osamu Kanemura.

Albania --- Art & design styles: Conceptual art --- Individual artists, art monographs --- Albania;esthetics;political art;post-communism;public space;resistance;state capture --- Lulaj, Armando. --- 2000-2099

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"A path along the floor, of proportions 1x21 units, photographed. Photographs printed actual size of objects and prints attached to the floor so that images are perfectly congruent with their objects." With these words of instruction, typed on a humble card in 1967, Victor Burgin conceived one of the most profound and remarkable works of photographic art. Each time it was exhibited, it had to be made anew, unique to its setting. Embracing Minimal and Conceptual art, performance and site-specific installation, there is no other artwork like Photopath. In his characteristically analytical and associative manner, writer and curator David Campany takes the reader through the history and implications of Photopath, and their place in the breadth of Victor Burgin's art and theoretical writings.

Conceptual art --- Photography, Artistic --- Burgin, Victor --- Criticism and interpretation. --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Aesthetics

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A compendious overview of the revered and subversive queer Canadian collectivePublished on the occasion of the huge retrospective General Idea at the National Gallery of Canada, Ontario, and the Stedelijk Museum, Amsterdam (2022?2023), this volume constitutes the most comprehensive source on the Canadian collective General Idea, founded in Toronto in 1969 by Felix Partz, Jorge Zontal, and AA Bronson, and active until the death of Partz and Zontal in 1994.The volume is arranged in three parts: I. Performances and Actions; II. In the Streets; III. In the Showroom. The first two parts focus on works and methods that extend beyond the traditional museum exhibition, documenting ephemeral, time-based, and even disposable works. The third part includes a plates section offering a near-complete visual survey of General Idea?s practice. Facing-page comparative images show works as they appeared in historical installations and other relevant contexts. These three sections correspond broadly to the collective?s development: from performances, actions, pageants, and other practices (1969?1978), through works engaging with mass media formats such as the magazine, broadcast television, and video (1972?1980s), moving finally to works conceived for galleries and museums (1985?1994).bron : https://jrp-editions.com/art/books/monographs-artists-books/general-idea/

Art --- multimedia works --- performance art --- group identity --- Conceptual --- AIDS [medical syndrome] --- General Idea --- Canada --- Moderne kunst --- Kunstenaar --- Kunst --- Conceptual art --- Arts, Canadian --- kunst --- twintigste eeuw --- AIDS --- concept art --- conceptuele kunst --- kunst en politiek --- Zontal Jorge --- Partz Felix --- Bronson AA --- 7.071 GENERAL IDEA --- kunst en economie --- gender studies --- installaties --- film --- performance --- LGBTQIA+ --- kunst en humor --- Canadian arts --- Automatistes (Group of artists) --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- General Idea (Firm) --- General Idea (Artists' collective)